Saturday, February 8, 2020

Secret Squirrel Business

(This is a really short story I wrote back in 2014. I totally forgot about it and then stumbled upon it in an email. I thought about going back and editing it but decided not to touch it and keep it true to who I was in 2014.)


Secret Squirrel Business

I need to find a way to get out of here.   
“Sure. I’ll have one more drink.” I exclaimed.  
I need to get the hell out of here.
Things started off pretty good actually.  We had a great dinner at Florio’s with a great conversation about music and books. You know there’s this whole awkwardness about meeting and spending an evening with someone that you’ve only really known online.  It’s all text messages.  But when you meet them “IRL”, each breath, each pause is an eighty-ton weight pressing upon your shoulders.  There was none of that.  It was like we were old friends that reconnected years later with so much to talk about and not enough time.  It wasn’t until the waiter asked about dessert that I noticed a change in the flow.
Now I’m here in her apartment trying not to get loaded on these atrocious screwdrivers.  I mean, what the hell is this?  This is definitely not orange juice.  It’s not even Sunny D.  It’s like generic “orange drink” or something.  
“So tell me a little more about your time at UT.” she said as she sank down in her bean bag chair.
“Well, there’s not much more to tell.  I really wanted to study music but my parents wouldn’t have supported that. It was ‘not useful’, they'd say.  Science seemed to interest me so I studied microbiology.  One day I woke up with a masters in Biotechnology and asked myself ‘Now what the hell do I do?’”  
Jesus Christ.  This is awkward.  I just want to leave.  
“But UT is a notorious party school.  Was it tough to concentrate on your studies with all those distractions?” she asked.
I’m already two drinks in.  The excuse I come up with has to be really believable.   She knows I don’t have to work tomorrow.   Hmm.  
“Honestly I was drunk almost every night.  I don’t know how I got out of there really.  You know when you go out, get unbelievably hammered, then wake up in your bed the next day asking yourself ‘How the hell did I get home?’  It’s like a 5-year version of that.”
Ok, so you’re probably thinking to yourself “Oh, things sound like they’re going fine.  She seems polite and harmless.”  Of course, you’re gonna say that.
“Oh wow! That’s hilarious!  I didn’t have experiences like that in college.  I worked a lot just to make it through.  It seems like I didn’t even have much of a social life between studying, work, and family.  Luckily I went to UTSA.  Luckily there wasn’t much of a social scene when I went there so I got through without any major distractions.”
Okay well, I know a lot of people take Xanax.  It’s not an uncommon thing. But a copy of Secret Squirrel Business, just sitting right there on the bookshelf.  Oh, come on.  
“Yeah.  I also got addicted to Adderall.  It was pretty tough.”
Look, the next time she leaves the room I want you to go follow her and see how she acts when I’m not around.  Wait, better idea.  I’ll leave the room.
“Can I use your bathroom for a sec?” I said.
“Sure it’s down that hall.  First door on your left.”

“Hey thanks for the drinks.  I had a great time.  I need to get going.  I promised my mother that I’d drive her to her doctor's appointment in the morning.  Can we do this again?  Maybe this weekend?”
“Sure I’d love that!  Thanks so much for walking me home.” she said.  “Here let me show you to the door.”
“Well.  See ya.”
“Bye.”
Well.   What the fuck happened when I was gone?!

Tuesday, December 31, 2019

Movies in 2019

Movies I watched in 2019 

I joined Letterboxd in late 2018 and decided to log all my watched movies in 2019. So here it goes my year in movies! 

January
01 GET ON THE BUS - Dir. Spike Lee 1996 ☆☆☆☆
07 MANHATTAN - Dir. Woody Allen 1979 ☆☆☆☆☆(rewatch)
11 ALL NIGHT LONG - Dir. Basil Dearden 1962 ☆☆☆
12 PERSONAL SHOPPER - Dir. Olivier Assayas 2016 ☆☆☆
12 A DOG'S WAY HOME - Dir. Charles Martin Smith 2019 ☆☆
13 THE FRESHMAN - Dir. Andrew Bergman 1990 ☆☆☆(rewatch)
13 TORCH SONG TRILOGY - Dir. Paul Bogart 1988 ☆☆☆
18 MAMMA ROMA - Dir. Pier Paolo Pasolini 1962 ☆☆☆
19 ROMA - Dir. Alfonso Cuaron 2018 ☆☆☆(
25 IRMA VEP - Dir. Olivier Assayas 1996 ☆☆☆☆(rewatch)
27 THE BIG CHILL - Dir. Lawrence Kasdan 1983 ☆☆☆ 
30 KRAMER VS KRAMER - Dir. Robert Benton 1979 ☆☆☆ (rewatch)

February

08 THE LEGO MOVIE 2: THE SECOND PART - Dir. Mike Mitchell 2019 ☆☆1/2
09 IN THE HEAT OF THE NIGHT - Dir. Norman Jewison 1967 ☆☆☆
13 IN THE MOOD FOR LOVE - Dir. Wong Kar-Wai 2000 ☆☆☆☆☆(rewatch)
15 MY BLUEBERRY NIGHTS - Dir. Wong Kar-Wai 2007 ☆☆1/2 (rewatch)
16 LATE AUTUMN - Dir. Yasujiro Ozu 1960 ☆☆☆
23 PHILADELPHIA - Dir. Jonathan Demme 1993 ☆☆☆☆ 

March
05 BOHEMIAN RHAPSODY - Dir. Bryan Singer 2018 ☆☆
09 A BRIGHTER SUMMER DAY - Dir. Edward Yang 1991 ☆☆☆☆☆
10 CHARULATA - Dir. Satyajit Ray 1964 ☆☆☆1/2
11 MIKEY & NICKY - Dir. Elaine May 1976 ☆☆☆☆ 
12 PARIS, TEXAS - Dir. Wim Wenders 1984 ☆☆☆☆☆ (rewatch)
12 THE IN-LAWS - Dir. Andrew Bergman 1979 ☆☆☆1/2
13 UHF - Dir. Jay Levey 1989 ☆☆☆ (rewatch)
14 A SERIOUS MAN - Dir. Joel Coen 2009 ☆☆☆1/2 (rewatch)
15 BURN AFTER READING - Dir. Joel Coen 2008 ☆☆☆1/2 (rewatch)
15 WONDER PARK - Dir. Dylan Brown 2019 
17 INHERENT VICE - Dir. Paul Thomas Anderson 2014 ☆☆☆1/2
19 ANNIE HALL - Dir. Woody Allen 1977 ☆☆☆☆☆ (rewatch)
24 BIG STAR: NOTHING CAN HURT ME - Dir. Drew DeNicola & Olivia Mori 2012 ☆☆☆1/2 (rewatch)
30 CAFE SOCIETY - Dir. Woody Allen 2016 ☆☆☆☆ (rewatch)

April
04 LIGHTS IN THE DUST - Dir. Aki Kaurismaki 2006 ☆☆☆ (rewatch)
05 MYSTERY TRAIN - Dir. Jim Jarmusch 1989 ☆☆☆☆ (rewatch)
13 MISSING LINK - Dir. 2019 ☆☆1/2
20 PATERSON - Dir. Jim Jarmusch 2016 ☆☆☆☆ 
21 A SERIOUS MAN - Dir. Joel Coen 2009 ☆☆☆1/2 (rewatch)
25 HANNAH AND HER SISTERS - Dir. Woody Allen 1986 ☆☆☆☆☆ (rewatch)
26 BARCELONA - Dir. Whit Stillman 1994 ☆☆☆☆☆ (rewatch)
28 BLACKKKLANSMAN - Dir. Spike Lee 2018 ☆☆☆1/2
28 CHI-RAQ - Dir.  Spike Lee 2015 ☆☆☆ 

May
03 CHUNGKING EXPRESS - Dir. Wong Kar-Wai 1994 ☆☆☆1/2
04 HARD BOILED - Dir. John Woo 1992 ☆☆☆☆ (rewatch)
10 MODERN ROMANCE - Dir. Albert Brooks 1981 ☆☆☆
16 CHUNGKING EXPRESS - Dir. Wong Kar-Wai 1994☆☆☆1/2 (rewatch)
16 13 MOST BEAUTIFUL... SONGS FOR ANDY WARHOL'S SCREEN TESTS - Dir. Andy Warhol 2009 ☆☆☆1/2
18 A DOG'S JOURNEY - Dir. Gail Mancuso 2019 ☆☆1/2
23 DON'T LOOK BACK - Dir. D.A. Pennebaker 1967 ☆☆☆☆ (rewatch)
24 WELCOME TO MARWEN - Dir. Robert Zemeckis 2018 1/2
29 WANDA - Dir. Barbara Loden 1970 ☆☆1/2

June
03 LOVE & MERCY - Dir. Bill Pohlad 2014 ☆☆☆☆ (rewatch)
06 SHUTTER ISLAND - Dir. Martin Scorsese 2010 ☆☆☆
11 COFFEE & CIGARETTES - Dir. Jim Jarmusch 2003 ☆☆☆1/2 (rewatch)
13 WEEKEND - Dir. Andrew Haigh 2011☆☆☆
14 THE DEAD DON'T DIE - Dir. Jim Jarmusch 2019 ☆☆☆
14 THE UNBELIEVABLE TRUTH - Dir. Hal Hartley 1989 ☆☆☆
18 SUMMER HOURS - Dir. Olivier Assayas 2008 ☆☆☆ (rewatch)
20 TOY STORY 4 - Dir. Josh Cooley 2019 ☆☆☆
27 BLACK CAESAR - Dir. Larry Cohen 1973 ☆☆☆
27 BILLY BRAGG & WILCO: MAN IN THE SAND - Dir. Kim Hopkins 1999 ☆☆☆
29 A BRIGHTER SUMMER DAY - Dir. Edward Yang 1991 ☆☆☆1/2  (rewatch)
29 THE LADY VANISHES - Dir. Alfred Hitchcock 1938 ☆☆☆☆☆
29 TAIPEI STORY - Dir. Edward Yang 1985 ☆☆☆
30 DO THE RIGHT THING - Dir. Spike Lee 1989 ☆☆☆☆☆ (rewatch)

July
01 BEFORE MIDNIGHT - Dir. Richard Linklater 2013 ☆☆☆(rewatch)
03 JOE STRUMMER: THE FUTURE IS UNWRITTEN - Dir. Julien Temple 2007 ☆☆☆1/2
04 SPIDER-MAN: FAR FROM HOME - Dir. Jon Watts 2019 ☆☆☆
05 NIGHT ON EARTH - Dir. Jim Jarmusch 1991 ☆☆☆☆ (rewatch)
07 STRANGER THAN PARADISE - Dir. Jim Jarmusch 1984 ☆☆☆☆ (rewatch)
07 LENINGRAD COWBOYS MEET MOSES - Dir. Aki Kaurismaki 1994 ☆☆☆
08 INSIANG - Dir. Lino Brocka 1976 ☆☆☆
09 CLOSE-UP - Dir. Abbas Kiarostami 1990 ☆☆☆1/2
09 HELP! - Dir. Richard Lester 1965 ☆☆☆1/2 (rewatch)
10 MYSTERIOUS OBJECT AT NOON Dir. Apichatpong Weerasethakul 2000 ☆☆☆1/2
14 THE HARDER THEY COME - Dir. Perry Henzell 1972 ☆☆☆ (rewatch)
14 YESTERDAY - Dir. Danny Boyle 2019 ☆☆☆
14 NIGHT MOVES - Dir. Kelly Reichardt 2013 ☆☆☆1/2
14 ANIMA - Dir. Paul Thomas Anderson 2019 ☆☆☆
19 ANYTHING ELSE - Dir. Woody Allen 2003 ☆☆☆1/2 (rewatch)
20 YOU WILL MEET A TALL DARK STRANGER - Dir. Woody Allen 2010 ☆☆☆1/2 (rewatch)
20 TO ROME WITH LOVE - Dir. Woody Allen 2012 ☆☆☆ (rewatch)
22 WHILE WE'RE YOUNG - Dir. Noah Baumbach 2014 ☆☆☆ (rewatch)
31 LOST IN AMERICA - Dir. Albert Brooks 1985 ☆☆☆

August
01 BURNING - Dir. Lee Chang-dong 2018 ☆☆☆
02 CLOSE-UP - Dir. Abbas Kiarostami 1990 ☆☆☆1/2 (rewatch)
05 THE FAVORITE - Dir. Yorgos Lanthimos 2018 ☆☆☆
05 LIKE SOMEONE IN LOVE - Dir. Abbas Kiarostami 2012 ☆☆☆
06 CAFE SOCIETY - Dir. Woody Allen 2016 ☆☆☆☆ (rewatch)
07 WINGS OF DESIRE - Dir. Wim Wenders 1987 ☆☆☆1/2 (rewatch)
11 ONCE UPON A TIME... IN HOLLYWOOD - Dir. Quentin Tarantino 2019 ☆☆☆1/2
18 THE ANGRY BIRDS MOVIE 2 - Dir. Thurop Van Orman 2019 1/2
20 JEANNE DIELMAN, 23, QUAI DU COMMERCE 1080 BRUXELLES - Dir. Chantal Akerman 1975 ☆☆☆
23 THE HATEFUL EIGHT - Dir. Quentin Tarantino 2015 ☆☆☆☆ (rewatch)
25 MODERN ROMANCE - Dir. Albert Brooks 1981 ☆☆☆☆ (rewatch)
31 MISTRESS AMERICA - Dir. Noah Baumbach 2015 ☆☆1/2 (rewatch)

September
01 VANYA ON 42ND STREET - Dir. Louis Malle 1994 ☆☆☆☆☆ (rewatch)
06 YI YI - Dir. Edward Yang 2000 ☆☆☆☆☆ (rewatch)
06 BROADCAST NEWS - Dir. James L. Brooks 1987 ☆☆☆☆ 
07 KICKING AND SCREAMING - Dir. Noah Baumbach 1995 ☆☆☆☆ (rewatch)
08 BLINDED BY THE LIGHT - Dir. Gurinder Chadha 2019 ☆☆☆☆ 
13 ROCKETMAN - Dir. Dexter Fletcher 2019 1/2
14 I HEART HUCKABEES Dir. David O. Russell 2004 ☆☆☆1/2  (rewatch)
28 PLAY IT AGAIN, SAM - Dir. Herbert Ross 1972 ☆☆1/2  (rewatch)

October
03 MANHATTAN - Dir. Woody Allen 1979 ☆☆☆☆☆ (rewatch)
09 THE PURPLE ROSE OF CAIRO - Dir. Woody Allen 1985 ☆☆☆☆ (rewatch)
11 VANYA ON 42ND STREET - Dir. Louis Malle 1994 ☆☆☆☆☆ (rewatch)
12 VAGABOND - Dir. Agnes Varda 1985 ☆☆☆☆
20 OLD JOY - Dir. Kelly Reichardt 2006 ☆☆☆☆ (rewatch)
27 STILL WALKING - Dir. Hirokazu Koreeda 2008 ☆☆☆
27 TRUE STORIES - Dir. David Byrne 1986 ☆☆1/2

November
03 A BRIEF HISTORY OF TIME - Dir. Errol Morris 1991 ☆☆☆
16 JOJO RABBIT - Dir. Taika Waititi 2019 ☆☆☆
16 THE FLAVOR OF GREEN TEA OVER RICE - Dir. Yazujiro Ozu 1952 ☆☆☆1/2
22 ELEGY - Dir. Isabel Coixet 2008 ☆☆☆
23 A HARD DAY'S NIGHT - Dir. Richard Lester 1964 ☆☆☆☆☆ (rewatch)
23 LAST YEAR AT MARIENBAD - Dir. Alain Resnais 1961 ☆☆☆1/2
27 STOLEN KISSES - Dir. Francois Truffaut 1968 ☆☆☆☆ (rewatch)
27 BED AND BOARD - Dir. Francois Truffaut 1970 ☆☆1/2 (rewatch)
27 LOVE ON THE RUN - Dir. Francois Truffaut 1979 ☆☆☆ (rewatch)
28 ANTOINE AND COLETTE - Dir. Francois Truffaut 1962 ☆☆☆☆ (rewatch)
28 XTC: THIS IS POP - Dir. Charlie Thomas and Roger Penny 2017 ☆☆1/2
28 THE RULES OF THE GAME - Dir. Jean Renoir 1939 ☆☆☆☆☆ (rewatch)
29 THE MUSIC ROOM - Dir. Satyajit Ray 1958 ☆☆☆

December
06 CERTIFIED COPY - Dir. Abbas Kiarostami 2010 ☆☆☆1/2 (rewatch)
14 TOO LATE BLUES - Dir. John Cassavetes 1961☆☆☆
17 OLD JOY - Dir. Kelly Reichardt 2006 ☆☆☆☆ (rewatch)
21 STAR WARS: RISE OF SKYWALKER - Dir. JJ Abrams 2019 ☆☆☆
21 TO BE OR NOT TO BE - Dir. Ernst Lubitsch 1942 ☆☆☆☆ 
23 ECHO IN THE CANYON - Dir. Andrew Slater 2018 ☆☆☆
24 METROPOLITAN - Dir. Whit Stillman 1990 ☆☆☆☆☆ (rewatch)
25 WITHNAIL AND I - Dir. Bruce Robinson 1987 ☆☆☆☆ (rewatch)
28 THE DAYTRIPPERS - Dir. Greg Mottola 1996 ☆☆☆☆ (rewatch)
29 SMILES OF A SUMMER NIGHT - Dir. Ingmar Bergman 1955 ☆☆☆☆☆ (rewatch)
29 A MIDSUMMER NIGHT'S SEX COMEDY - Dir. Woody Allen 1982 ☆☆1/2 (rewatch)
29 BROADWAY DANNY ROSE - Dir. Woody Allen 1984 ☆☆☆☆☆ (rewatch)
30 THE SQUID AND THE WHALE - Dir. Noah Baumbach 2005 ☆☆☆☆☆ (rewatch)









Thursday, December 12, 2019

Back to Hutchins

Back to Hutchins


In the summer of 2016, Steve Circeo and I, as Hot Like The Desert Productions, conceived and shot HUTCHINS to submit to the 2016 San Antonio Neighborhood Film Project, a small film competition whose mission was to produce films that highlight various San Antonio neighborhoods and the citizens in them. In retrospect, it might have been wise to produce a short that featured a trendy or newsworthy neighborhood such as Dignowity Hill or to perhaps tackle, more overtly, important issues such as gentrification or poverty. However, we took the opportunity to send me back to my childhood neighborhood on Hutchins and Zarzamora, which hadn't changed much, to walk around and ramble on selfishly about my childhood. It's a wonder we didn't win anything, right?!

HUTCHINS became one of my favorite of the Hot Like The Desert short films, for a couple of reasons. First of all, because it's relatively speaking, autobiographical. Secondly, because we shot it "cinema-verite" style: hand-held, improvised, and with the exception of the color sequences, in one uninterrupted shot. Well if you wanna get technical, two I guess.

I wrote the first draft of the script in one sitting (probably about an hour) and sent it to Steve for edits. We got together to shoot the following weekend but we were rained out, though we had a nice Japanese lunch after the rain hit. The following weekend we got together to shoot again.

Steve and I met for coffee that morning to rehearse the script and about halfway through the second read-through we decided to just scrap the script and ad-lib all the dialogue which gave it that really natural documentary feel. That was probably the best decision we made during that entire production.


We shot the little girl sequence first with little Evie Enriquez-Sanders and she did so great. She was just about perfect and exactly matched what I conceived when I wrote it. After her scene was done, Steve and I walked up and down the block twice and filmed two entire run-throughs of the rest of the short and we called it a day.

It was nice seeing it on the big screen a few weeks later at the Carver Community Center. There was a little reception with cookies, cheese, and punch which made it feel pretty legit. The audience was pretty quiet throughout the whole thing though. There weren't any laughs in the places I thought would get them. Also, we had to edit it down to reach the time limit allowed which, in my opinion, made the film less effective. I don't know, perhaps the audience just wasn't ready for a self-indulgent autobiographical piece about a nobody And what's more, one that didn't have music cues, fancy lighting, or even a clearly defined genre to cling to. In any event, I love it and am proud to share it again here, in its full uncut glory.

Click here to watch HUTCHINS!

Friday, November 29, 2019

The Landing (from a Facebook post from August 11, 2019)

The Landing (from a Facebook post from August 11, 2019)

When I was in high school and bored of all the grungy things that were popular at the time, I'd get all hipster dressed up, drag some friends downtown, and walk down to the Landing. I remember sitting up in the balcony thinking I was a lot cooler than I actually was, drinking coffee and listening to Jim Cullum. I think I felt like I was Holden Caufield or some character in some Jack Kerouac book (I remember I'd read Jack Kerouac's The Subterraneans that year, so this is very likely). Hopefully I wasn't too insufferable.
I'm usually reminded about all of this when I listen to the Jonathan Richman song "My Affected Accent" but today this came to me when I heard the news of Jim Cullum Jr.'s passing. Much love to his family and to all those in the city who loved him. RIP to the great Jim Cullum.

Beginnings (from TPR's Worth Repeating: When It Breaks episode)

Beginnings (From TPR's Worth Repeating: When It Breaks)

(you can listen to this story as it was told live here: Worth Repeating: Jason Experiences The Highs And Lows Of The Music Industry )

I was 18 years old when I helped form a ska band called Spies Like Us. We were a bunch of kids fresh outta high school, obsessed with ska and living in San Antonio, a city with zero ska bands. So we did what we everyone else around the country did: we formed our own. And this is the story of our first big break. 

We played our first show at some club called Castle Rock on Gardendale road in the medical center. It’s not there anymore so no need to plan that pilgrimage. Now, most first shows of 18 year old kids are populated mainly by close family and friends, and ours was most certainly that. But when we looked out into the crowd when we were just about to hit that stage, we saw a sea of people that we’d never seen before. This room was filled with a bunch of randoms. Punkrockers, ska kids, wow. We never expected this. Why are all these people here? How did they hear about his? Oh, that’s right, we printed flyers with big letters proclaiming “ska” on them. 

The sound guy then called us up to the stage. I, was incredibly nervous. My legs were shaking. I felt my palms sweating. We all looked out to the crowd and looked at each other with the same nervous energy. Then we heard an intimidating call out from the audience. “LET’S HEAR THIS ‘SKA BAND’”. 

I looked over and saw the biggest scariest punk rocker with a shaved head, doc martin boots and a spiked leather jacket staring at us, smiling, like he was just waiting for us to suck so he could pounce on us just to teach us a lesson. Then the drums came in. Oh no. We’re starting. After the drums, my instrument, the guitar, was the next to come in to cue the rest of the band. I hesitated and missed my cue which lead the drums to have to continue on alone for another two measures. I then launched into my surf riff which lead the rest of the band in and we took off. 

And in those first few seconds things seemed so comfortable. All the anxiety of being on stage for the first time seemed to melt away and I felt oddly at home. I felt like this was what I was supposed to be doing. Maybe not with my whole life but at least with my life right now. This was good and I’ve found myself. And then I remembered there was a crowd out there. So I picked up my head and looked up and what I saw surprised me. Everybody was dancing!

I could not believe it. People were bouncing up and down. I saw smiles on faces. I looked over to my bandmates and they looked over at me and each other with smiles of disbelief. It seemed almost too easy. Place an ad at a record store. Jam in the garage. Write some songs. And then boom. Success. So we played a few more songs and before we knew it our time was up and the show was over.

We had all just played our first show and people went nuts. One dude came up to us after the show with his friends and said “Let us know when you play again. We’ll be there. You have a crowd now.” Unbelievable. Every subsequent show was a bigger success than the last. Bigger venues. More people. And eventually regional tours. We released our first EP on cassette. It was a smash and people gobbled it up. We released our first full length album on CD the next year. It was a bigger smash and people gobbled it up. If you can imagine that movie about that young musician of 18 years old that had a dream of making it big. And they did all those things that they were supposed to do and then they became big. And the movie had that big happy ending. Dreams do come true.

Well about 4 years later the band broke up.

I wasn’t upset about it because I had formed a new band with the singer from Spies called the Bombardiers. And because of our experiences with Spies Like Us, we had great expectations for this band. We would be just as big, if not bigger.

After all, we found the formula with Spies Like Us. Write some songs. Put out a flyer. People come. We spent months writing and rehearsing for our first show and when it finally came, we did whatever anybody else would’ve done. We put out a flyer with big letters proclaiming “Featuring members of Spies Like Us”. It worked the first time with the letters SKA so why wouldn’t they work this time.

And I’ll tell ya it didn’t.

Oh, a few people came out but also a lot of crickets came as well. See this was the venue that Spies played regularly up until the end. The White Rabbit which is now the Paper Tiger. It’s a huge room that we used to fill and now it was pretty empty. We heard a voice from the crowd yell out something just like during the first Spies Like Us show. Except that voice said “PLAY SOME SPIES LIKE US”. But we didn’t and we couldn’t. That chapter was closed.

So we played the set. And it was great. Though people weren’t dancing. People stood and stared. Some people walked out. And I came to find out that this is what being a musician was really about. It was then that a realization came to me. The overnight success of Spies Like Us was a fluke. A product of the perfect time and place. And this type of success would never be duplicated again. At least not by me. And everything from this point forward I would have to work for. Really work for. Being a musician playing original songs, especially in San Antonio is not about trying once and having success handed to you. It’s about pouring your heart and soul into something for the sake of the process and not the reward. You have to love the process.

And so here I am 25 years and about 4 or 5 bands later, still chasing the dream and in love with the process. Still pushing that boulder up the hill and having it slip back down and with each new climb, a new band and a new set of challenges, with one challenge being a mainstay: Age. There’s a great verse in the Bread song “The Guitar Man” that describes the feeling of an aging musician still playing the young man’s game. “Then the lights begin to flicker and the sound is getting dim. The voice begins to falter and the crowds are getting thin but he never seems to notice he's just got to find another place to play.” So if you know of another place to play,